Installation view, ‘Gemini,’ a collaborative exhibition by Christina May Carey and Aaron Christopher Rees, Fiona and Sidney Myer Gallery, Naarm/Melbourne, 2025. Vertigo, 2025, Christina May Carey and Aaron Christopher Rees, silver gelatine print on fibre paper, xanthophylls extract ‘yolk’ dye, framed with art glass; 24/7, 2025, Christina May Carey and Aaron Christopher Rees, four channel video, aluminium, LCD screens, iPhones, power cords; Castor and Pollux, 2025, Christina May Carey and Aaron Christopher Rees, aluminium casting and human hair; Time is Away, 2025, Christina May Carey and Aaron Christopher Rees, silver gelatine print on fibre paper, xanthophylls extract ‘yolk’ dye, framed with art glass Punch Card (Kitchen Sink), 2025, Christina May Carey and Aaron Christopher Rees, silver gelatine print on fibre paper, framed with art glass; Gemini, 2025, Christina May Carey and Aaron Christoper Rees, dual channel video, stereo sound. 8:45 min. Curated by David Sequeira and Joon Youn. Documentation Aaron Rees.
Castor and Pollux, 2025, Christina May Carey and Aaron Christopher Rees, aluminium casting and human hair, as part of ‘Gemini,’ a collaborative exhibition by Christina May Carey and Aaron Christopher Rees, Fiona and Sidney Myer Gallery, Naarm/Melbourne.
Hysteria! 2025, Christina May Carey and Aaron Christopher Rees, ceramic stoneware, glaze, human hair, as part of ‘Gemini,’ a collaborative exhibition by Christina May Carey and Aaron Christopher Rees, Fiona and Sidney Myer Gallery, Naarm/Melbourne.
24/7, 2025, (detail) Christina May Carey and Aaron Christopher Rees, four channel video, aluminium, LCD screens, iPhones, power cords; as part of ‘Gemini,’ a collaborative exhibition by Christina May Carey and Aaron Christopher Rees, Fiona and Sidney Myer Gallery, Naarm/Melbourne.
Installation view, 24/7, Christina May Carey and Aaron Christopher Rees, four channel video, aluminium, LCD screens, iPhones, power cords; Sunny Side Up, silver gelatine print on fibre paper, xanthophylls extract ‘yolk’ dye, framed with art glass; Punch Card (Kitchen Sink) silver gelatine print on fibre paper, framed with art glass; as part of ‘Gemini,’ a collaborative exhibition by Christina May Carey and Aaron Christopher Rees, Fiona and Sidney Myer Gallery, Naarm/Melbourne.
Installation view Hypnagogia, 2024, as part of ‘Hair Pieces,’ Heide Museum of Modern Art. Hypnagogia, 2024, HD video, desktop monitor, laptop, steel structure, extension leads, stereo sound and speakers, carpet; Rattails, 2024 HD video, various iPhones and iPad, extension leads; Red-Eye, 2024, C-type print on Fuji Lustre, oak frame. Curated by Melissa Keys. Documentation Aaron Rees.
Moon II, 2023, HD video, iPad and steel viewfinder, as part of group exhibition ‘This Might Just Pass the Time,’, Blindside Gallery, Naarm/Melbourne. Slide 3, installation view, alongside work by Aaron Christopher Rees. Curated by Annabel Brown. Documentation Aaron Rees.
Embodied Tendencies, 2023, HD video and stereo sound, as part of group exhibition ‘Making the Invisible Visible,’ Fiona and Sidney Myer Gallery, Naarm/Melbourne. Curated by David Sequeira and Joon Youn. Documentation Aaron Rees.
Embodied Tendencies (excerpt), 2023, HD video and stereo sound, as part of group exhibition ‘Making the Invisible Visible,’ Fiona and Sidney Myer Gallery, Naarm/Melbourne. Curated by David Sequeira and Joon Youn. Documentation Aaron Rees.
Imprinted Time of Waiting, 2023, HD video projection for live sound performance by Ekaterina Bazhenova-Yamasaki, as part of group exhibition ‘Imprinted Time of Waiting,’ Iklectik Art Lab, London, 2023. Curated by Ekaterina Bazhenova-Yamasaki. Documentation Matt Favero.
Recalcitrance Hyacinth Gallery, Naarm/Melbourne, solo exhibition, 2022. 1. Red-Eye, 2022, C-type print on Fuji Lustre, acrylic box frame. 2. Installation view. Red-Eye, 2022. Scintigraphy, 2022, HD video, LED TV, stereo sound, custom steel plinth, castors. 3-4. Hydro-C-Zone, 2022, C-type print on Fuji Lustre, acrylic box frame, window film. Compulsive Reflex, 2022, C-Type print on Fuji Lustre, acrylic box frame, window film. 5. Scintigraphy, 2022. Documentation Aaron Rees.
Recalcitrance Hyacinth Gallery, Naarm/Melbourne, solo exhibition, 2022. 1. Compulsive Reflex, 2022, C-Type print on Fuji Lustre, acrylic box frame, window film. 2. Hydro-C-Zone, 2022, C-type print on Fuji Lustre, acrylic box frame, window film. 3. Hydro-C-Zone (detail), 2022. Documentation Aaron Rees.
Hypnagogia Kings ARI, Naarm/Melbourne, solo exhibition, 2021. 1. Hypnagogia, HD video, desktop monitor, laptop, steel structure, extension leads, stereo sound and speakers. 2. An Incidental Observation, HD video, iPhone, custom steel structure. Documentation Aaron Rees.
VCA Grad Show, 2021. 1. Virtual Window II, HD Video, LED screen, stereo sound. 2. I, HD video, iPad, magnifying screen with custom steel frame, steel and aluminium articulating arm. 3. X, HD video, LED monitor, custom steel frame, acrylic frame. Documentation Aaron Rees.
Virtual Window II, 2021. (Excerpt). HD video. Christina May Carey. Sound design Camryn Rothenbury.
VCA Grad Show, 2020. Moon, HD video projection on MDF screen; Touch the Skylight, HD video on monitor, steel plinth and acrylic display case; and Pool, HD video on iPad. Documentation Aaron Rees.
Touch the Skylight, HD video, 2020. Exhibited at the Buxton Contemporary Screen Space, Naarm/Melbourne.
Time Held, 2019, HD video, desk; and plinth, acrylic display case, metronome. Time Elapsed, 2019, video on iPad, plinth and acrylic display case.
321 (Click) and 321 (Fan), 2018. HD video projections. Documentation Aaron Rees.